Pamela Carter, James Fritz, Natasha Gordon, Karim Khan, Laura Lomas and Vinay Patel are the six playwrights taking part in our 2026 COHORT programme.

COHORT is our recently announced artist-led playwriting scheme. It offers six of the UK’s most exciting playwrights a nine-month programme of peer-to-peer support, in-person residencies and creative masterclasses, with the opportunity to have their work commissioned by the RSC.

COHORT was created by RSC Writers-in-Residence Zoe Cooper and Stewart Pringle and inspired by Sir Peter Hall’s founding vision of a ‘company’ of actors who share life and the experience of Stratford-upon-Avon with one another as they work.

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Pamela Carter, Vinay Patel, James Fritz, Laura Lomas, Karim Khan and Natasha Gordon are the six playwrights taking part in our 2026 COHORT playwrighting programme.

Across a series of five-day residences in Stratford-upon-Avon, the six writers will have the opportunity to immerse themselves in RSC theatre-making practice.

During the residencies, COHORT members will be invited to meet and develop relationships with artists from across the RSC and to participate in a range of masterclasses and creative encounters to help enrich their research, planning and writing process.

The 2026 COHORT programme launched earlier this year, with one of the six chosen playwrights recruited through open application, attracting over 200 submissions in total.

RSC Writer-in-Residence Zoe Cooper says:

"Over the past year Stewart and I have had the enormous privilege of being welcomed into the heart of the Royal Shakespeare Company. To be given the opportunity to see the process of making work for the Company's stages up close has felt rare and special.

"These six writers have already achieved so much in their careers, told us brilliant, complex and moving stories. We are so excited to extend the same opportunity of being part of the Company to them. We can't wait to read the stories that they each write for us and see their plays on the RSC's stages."

RSC Writer-in-Residence Stewart Pringle says:

"It feels like an honour and a privilege to be able to convene this first COHORT, and to welcome six such incredible talents and brains into the RSC.

"Pamela, Vinay, James, Karim, Natasha and Laura are simply some of the most exciting, form-pushing, heartfelt and humane writers working in the UK at the moment.

"There couldn’t be a better gang to be marching towards our stages!"

RSC Co-Artistic Directors Tamara Harvey and Daniel Evans say:

"From the earliest days of the RSC under the visionary leadership of Sir Peter Hall, new writing has been an essential part of who we are as a company, with thrilling new works from the most exciting storytellers of today standing shoulder to shoulder with bold re-imaginings of classic texts that speak directly to our world now.

"We are delighted to welcome such an inspiring collective of artists to Stratford-upon-Avon in 2026 and look forward to collaborating with each of them as they immerse themselves fully in the creative life of the RSC, expand their knowledge of the theatre-making process and forge meaningful new partnerships along the way.”

MEET THE 2026 COHORT PLAYWRIGHTS

Pamela Carter

Pamela is a playwright, librettist and dramaturg. She has been working internationally in theatre, dance, opera, film, the visual arts and museum design since 2004.  

Recent work as a writer and librettist includes: A Country House (Glyndebourne), The Misfortune of the English (Orange Tree Theatre, Richmond), Duck Rabbit (Chinese Arts Now), Schauinsland (Theater Freiberg), We Are In Time (Scottish Ensemble), Them! (National Theatre of Scotland)The Male Queen (RSC/Royal Lyceum).

She has a longstanding collaboration with director/designer Stewart Laing. Her plays for his company Untitled Projects include: The End of Eddy (Unicorn Theatre London/BAM/Melbourne Festival), Paul Bright’s Confessions of a Justified Sinner (National Theatre of Scotland/Edinburgh International Festival), Slope and An Argument About Sex (After Marivaux’s La dispute).

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Pamela Carter, one of the RSC 2026 playwrighting COHORT

She has also made work for the Royal Court Theatre, The Yard Theatre, Scottish Dance Theatre, London International Festival of Theatre, and the Young Vic. Her plays have been performed in the USA and Australia and in translation in a number of countries in Europe, South America and the Far East. Her play Skåne, first produced at Hampstead Theatre, won the New Writing Commission at the Berliner Festspiele Stückemarkt.  

Between 2010 and 2020, she was employed by the Stockholm-based artist subject Goldin+Senneby to write about high frequency trading, credit default swaps, land ownership, and pharmaceuticals.  

As dramaturg she has worked with a wide variety of artists and companies including: Shotput Dance Theatre, Graeae Theatre, The Pappy Show, Vanishing Point Theatre, DAU Films, Holly Blakey Dance, Malmö Opera, and design company studio Riley.

James Fritz

James is a playwright and screenwriter from London.

His stage plays include: The Flea (Yard Theatre), Lava (Nottingham Playhouse/Fifth Word; revived Soho Theatre), Parliament Square (Royal Exchange Theatre, Manchester, Bush Theatre, London - winner of a Bruntwood Prize), Start Swimming (Young Vic Taking Part, Edinburgh Fringe), The Fall (National Youth Theatre at the Finborough Theatre, London), Ross & Rachel (MOTOR at Assembly George Square, Edinburgh Festival Fringe, 59E59 Theaters, New York), and Four Minutes Twelve Seconds (Hampstead Theatre - winner of Most Promising Playwright, Critics' Circle Awards)  

The third series of his BBC Radio 4 drama anthology series Life & Time will air in 2026. 

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James Fritz, one of the RSC 2026 playwrighting COHORT

His other audio plays include: The Test Batter Can’t Breath, Dear Harry Kane (ARIA Gold Award, Prix Europa, Best Original Single Drama, BBC Audio Drama Awards, 2024), Skyscraper Lullaby8.99 (ARIA Gold Award), Death of a Cosmonaut and Comment Is Free (winner of both the Imison and Tinniswood Awards for audio drama, 2017).

He is currently on attachment to the National Theatre and The Royal Court, as well as adapting The Flea into a feature film and developing original television projects.

Natasha Gordon

Natasha is a British playwright and actress of Jamaican descent. Her debut play, Nine Night, enjoyed a sold-out run at the National Theatre in April 2018 before transferring to Trafalgar Studio in 2019. In 2022 the play received its US premiere at the Round House in Washington DC and a revival was produced by Leeds and Nottingham playhouses in the UK.

In 2018 Natasha won the Charles Wintour Award for most promising playwright at the Evening Standard Theatre Awards as well as the Critics’ Circle Award. Nine Night was nominated for an Olivier Award for Best Comedy. She is currently working on commissions for the National Theatre.

As a performer, her stage credits include: Nine Night (Trafalgar Studios), Red Velvet (Tricycle Theatre/St Ann’s Warehouse), The Low Road, Clubland (Royal Court Theatre), Mules (Young Vic) and As You Like It (Royal Shakespeare Company)  

Film and television includes: Dough, Line of Duty, Class, and Danny and the Human Zoo.

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Natasha Gordon, one of the RSC 2026 playwrighting COHORT

Karim Khan

Karim is a screenwriter and playwright, based in Oxford. His sell-out play Brown Boys Swim won a Fringe First, and BBC Popcorn award at Edinburgh Festival 2022, and was later optioned by A24. Karim is currently preparing to direct his debut short film with Amazon Prime Video and the NFTS.

Karim has two upcoming world premieres: Before The Millennium at Old Fire Station in December 2025, and Sweetmeats at the Bush Theatre in February 2026. He is currently on attachment with the Royal Court Theatre and the National Theatre, for which he is writing new plays, and he was part of Soho Six.

His past credits include: Corrosive (Pegasus Theatre), Beyond Shame (Derby Theatre) and Orange Juice (The Pleasance, Burton Taylor Studio).

For TV, Karim has written on season 3 and 6 of All Creatures Great & Small, for which he won the Best Episodic Debut award in 2023. He has been in various TV writer's rooms.

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Karim Khan, one of the RSC 2026 playwrighting COHORT

In 2022, he was awarded the inaugural Pillars Artist Fellowship - sponsored by Netflix and Amazon studios and supported by Riz Ahmed’s Left Handed Films.

Karim is an MA Screenwriting graduate (2019) from the National Film and Television School with a scholarship sponsored by Toledo Productions and Channel 4.

Laura Lomas

Laura was a writer in residence at Shakespeare’s Globe and Clean Break Theatre Company and has been on attachment to Paines Plough and The National Theatre Studio.  

Her recent plays include: The House Party (Chichester Festival Theatre / Headlong), Metamorphoses (Globe), Chaos (National Theatre Connections), Abandon (Hampstead Theatre Youth Company), The Blue Road (Youth companies at Dundee Rep/Derby Theatre/Royal & Derngate/Theatre Royal Plymouth), Joanne (Clean Break/Soho Theatre), Bird (Derby Live/Nottingham Playhouse/UK Tour), Blister (Paines Plough/RWCMD/Gate Theatre), The Island (Nottingham Playhouse/Det Norske Oslo), and Wasteland (New Perspectives Theatre/Derby Live).

Laura wrote the libretto for The Blue Woman, composed by Laura Bowler and directed by Katie Mitchell, for The Royal Opera House and Britten Pears Arts.

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Laura Lomas, one of the RSC 2026 playwrighting COHORT

Radio plays include: FragmentsMy Boy (winner of Best Drama, Sony Radio Academy Awards), and Lucy Island.

Screen credits include: Sweetpea, The Midwich Cuckoos, The Crow Girl, HannaGlueRough Skin for Coming Up, which was nominated for Best British Short at the BIFAs and Best UK Short at Raindance Film Festival.   

Vinay Patel

Vinay is a scriptwriter from South East London.  

His TV debut, Murdered By My Father, won 2 RTS Awards including Best Single Drama and was nominated for three BAFTAs.

Vinay has since written episodes for Good Karma Hospital, Doctor Who and, most recently, the Netflix adaptation of David Nicholls’ One Day. He is developing a TV series with Motive Pictures/Fifth Season and a historical sports feature with Film4.

For theatre, he has written a romantic epic (An Adventure) for the Bush, an office satire about language and offence (Sticks & Stones) for Paines Plough, and a South Asian sci-fi adaptation of The Cherry Orchard, for the Yard/HOME.

He is currently an Associate Playwright at the Royal Court Theatre as well as working on several projects for the stage including a play for Empire Street Productions, an adaptation of Cloud Atlas for English Touring Theatre and a musical for ATG.  

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Vinay Patel, one of the RSC 2026 playwrighting COHORT
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