Erica joined the Royal Shakespeare Company in January 2013. She works closely with Artistic Director Gregory Doran on all aspects of artistic strategy, taking a particular lead on the development of new work.
Erica joined the Royal Shakespeare Company in January 2013. She works closely with Artistic Director Gregory Doran on all aspects of artistic strategy, taking a particular lead on the development of new work, the contemporary relevance of the repertoire and the national ambitions of the company. Erica led the team which reopened The Other Place in March 2016, a creative hub dedicated to daring theatrical exploration. Erica takes a lead on extending access, equality and diversity across all RSC activities and is passionate about participation in theatre-making.
As part of the season celebrating the 400th anniversary of Shakespeare’s death she directed A Midsummer Night’s Dream: A Play for the Nation in the Royal Shakespeare Theatre, a production involving 18 professional actors, 14 amateur theatre groups (84 amateur actors) and 580 school children from across the country, which toured the UK from March to June 2016. Her 2018 production of Romeo and Juliet in the Royal Shakespeare Theatre, the Barbican and on a national tour incorporated 60 young people from RSC partner schools into its prologue.
Erica was Chief Executive of Northern Stage in Newcastle Upon Tyne from 2005 to 2012. She oversaw the opening of a completely redesigned new building, introduced a notably collaborative organisational culture and attracted local and national acclaim for the company's repertoire of work. In 2012 she won the TMA Award for Theatre Manager of the Year.
Under her stewardship Northern Stage became known for ambitious international partnerships (Northern Stage co-produced Lipsynch by Robert Lepage, which opened in Newcastle in 2007), the development of experimental new work especially by young theatre makers and for bold interpretations of modern classics (for example Close the Coalhouse Door, directed by Samuel West in a new version by Lee Hall).
Erica is a theatre director with many years' experience all over the UK.
For the RSC: The Ant and the Cicada; Revolt. She Said. Revolt Again. (The Other Place); The Christmas Truce (Royal Shakespeare Theatre); Hecuba (Swan Theatre); A Midsummer Night’s Dream: A Play for the Nation (RST & UK Tour: “Blissfully funny”, “Dusted with magic” - The Guardian); The Seven Acts of Mercy (Swan Theatre: “A compassionate work of political theatre”); The Earthworks (The Other Place); Romeo and Juliet (RST, Barbican & UK Tour: “Fresh, Fleet, Blade-Sharp” - The Telegraph, “Wonderfully fresh...a national hit” - Evening Standard), Miss Littlewood (Swan Theatre: “Pulsatingly entertaining. Magnificent” - The Times). This autumn she is directing A Museum in Baghdad by Hannah Khalil in the Swan Theatre.
For Northern Stage: Son of Man; Ruby Moon; Our Friends in the North; A Christmas Carol; A Doll's House; Look Back in Anger; Hansel and Gretel, Oh What a Lovely War (nominated for two TMA awards), The Wind in the Willows, Who's Afraid of Virginia Woolf (in co-production with Sheffield Theatres for which she was nominated for best director at the 2011 TMA awards), The Glass Slipper and the UK premiere of Oh, The Humanity (which ran in Edinburgh and then Soho Theatre in August/September 2012).
Other work includes The Birthday Party (Sheffield Crucible); The Shadow of a Boy (National Theatre); The Flu Season, Marieluise, Witness and Les Justes (Gate Theatre); The Winter's Tale and The Glass Slipper (Southwark Playhouse).
Erica has a first-class honours degree in French and Philosophy from Oxford. She trained in the theatre with Philippe Gaulier in Paris and then at Bristol Old Vic Theatre School. She was the recipient of the John S Cohen Bursary for directors at the National Theatre Studio and ETT, and later Associate Producer at the Tricycle Theatre and Associate Director at ETT. She is an Honorary Senior Research Fellow of the Shakespeare Institute, University of Birmingham and has an Honorary Doctorate from the University of West England, Bristol.
She was Artistic Director of Southwark Playhouse (1998-2000) and Artistic Director of The Gate Theatre, Notting Hill (2000-2004). At the Gate she ensured that the theatre paid its actors for the first time in 25 years, and she inaugurated the UK's first award for translation.
She was one of the first fellows of the Clore Leadership Programme and speaks regularly for Clore and other programmes, especially on artists in leadership roles. In the 2012 New Year’s Honours List she was awarded an OBE for services to Theatre in the UK. In November 2016 she won the Peter Brook Empty Space Special Achievement Award.