RSC ‘INTERVAL DRINKS’ PODCAST RETURNS FOR SERIES TWO FEATURING DAVID TENNANT, FEMI TEMOWO AND TINUKE CRAIG
FIRST EPISODE AVAILABLE TO DOWNLOAD NOW
Today (Thursday 12 May 2022) the Royal Shakespeare Company releases a new episode of its in-house podcast, Interval Drinks, featuring RSC Associate Artist and star of stage and screen David Tennant in conversation with Mark Quartley, who currently plays Henry VI in the RSC productions of Henry VI: Rebellion and Wars of the Roses.
The second episode, which features an interview with composer and musician Femi Temowo (Much Ado About Nothing) with sound designer Claire Windsor, will be available to download on Thursday 19 May. The third episode of the series will be available on Thursday 26 May with theatre director and Genesis Future Directors Award winner Tinuke Craig in conversation with director Aaron Parsons. Further episodes to be announced later this summer.
Interval Drinks is an opportunity to learn more about the life of the RSC from those at the heart of the Company. The Podcast offers audiences a rare insight into the professional journeys of these RSC artists, as well as a chance to explore the craft of modern theatre and discuss some of the biggest issues facing the theatre industry today.
In episode one, actor Mark Quartley, who is currently playing Henry VI in the RSC’s productions of Henry VI: Rebellion and Wars of the Roses, speaks to David Tennant about auditioning for drama school as a 16-year-old from Paisley, how it feels when you forget the lines on stage and imposter syndrome. They also chat about what David likes about playing characters by Steven Moffat and Russell T Davies and Shakespeare.
Episode two features sound designer Claire Windsor chatting to composer and musician Femi Temowo about his musical journey, from first picking up a guitar at age 19, to MOBO Award nominated musician who composed the music for the RSC production of Much Ado About Nothing. Femi explains why theatre is like Power Rangers and shares his guilty pleasure in music.
In the third episode, Theatre director Tinuke Craig meets RSC director Aaron Parsons to explain what is similar about directing a Sarah Kane play about trauma and a pantomime. She talks about what drives her as a director, how she decides which are the stories she wants to tell and some of the barriers she faced on her way to becoming a director.
The series launched in Spring 2021, bringing together members of the RSC’s acting company with inspirational personalities from the Company’s history. Previous episodes include conversations with Adjoa Andoh, Justin Audibert, Paul Chahidi, Kate DiCamillo, Juliet Gilkes Romero, John Kani, Lucien Msamati, Tim Minchin and David Threlfall. Each episode of the series is available to download for free via the RSC website, as well as multiple podcast platforms, including Spotify and Apple Podcasts (formerly iTunes). There are also vodcast episodes with Charlotte Arrowsmith and Sophie Woolley available via the RSC YouTube channel.
The music is ‘Oberon’s Theme – King of Shadow’, originally composed by Sam Kenyon for A Midsummer Night’s Dream (2016).
For further information, please contact Bethany Arnold / firstname.lastname@example.org
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NOTES TO EDITORS:
Henry VI: Rebellion and Wars of the Roses run in the Royal Shakespeare Theatre until 4 June 2022. Box Office: 01789 331111, rsc.org.uk
The RSC is supported using public funding by Arts Council England
The work of the RSC is supported by the Culture Recovery Fund
The RSC Acting Companies are generously supported by The Gatsby Charitable Foundation and The Kovner Foundation
Henry VI: Rebellion and Wars of the Roses are supported by RSC Production Circle Members Susan Tomasky and Ronald J Ungvarsky, and Marcia Whitaker
Royal Shakespeare Theatre productions sponsored by Darwin Escapes
The RSC Acting Companies are generously supported by The Gatsby Charitable Foundation and The Kovner Foundation.
Arts Council England
Arts Council England is the national development body for arts and culture across England, working to enrich people’s lives. We support a range of activities across the arts, museums and libraries – from theatre to visual art, reading to dance, music to literature, and crafts to collections. Great art and culture inspires us, brings us together and teaches us about ourselves and the world around us. In short, it makes life better. Between 2018 and 2022, we will invest £1.45 billion of public money from government and an estimated £860 million from the National Lottery to help create these experiences for as many people as possible across the country. www.artscouncil.org.uk
Darwin Escapes currently operate 24 luxurious holiday resorts and 3 golf courses across the UK offering holiday breaks and holiday home ownership. A wide variety of holiday styles are accommodated, ranging from romantic boutique escapes to luxury lodge retreats and traditional family focused holiday parks, all of which boast state-of-the-art and diverse accommodation and on-site facilities including spas, gyms, restaurants and activities.
The company strives to provide the best possible holiday experience for holiday makers and holiday home owners with resorts in stunning UK locations with accommodation and facilities that rival those of 5 star hotels.
For further information about Darwin Escapes and its numerous holiday destinations and facilities visit www.darwinescapes.co.uk or follow them on Twitter or Facebook: @DarwinEscapes
Royal Shakespeare Company (RSC)
The Royal Shakespeare Company creates world class theatre, made in Stratford-upon-Avon and shared around the world, performing plays by Shakespeare and his contemporaries, as well as commissioning an exceptionally wide range of original work from contemporary writers. Our purpose is to ensure that Shakespeare is for everyone, and we do that by unlocking the power of his plays and of live performance, throughout the UK and across the world.
We believe everybody’s life is enriched by culture and creativity. We have trained generations of the very best theatre makers and we continue to nurture the talent of the future. Our transformative Learning Programmes reach over half a million young people and adults each year, and through our Placemaking and Public Programme we create projects with and for communities who have not historically engaged with our work. We are a leader in creative immersive technologies and digital development.
We have a proud record of innovation, diversity and excellence on stage and are determined to grasp the opportunity to become an even more inclusive, progressive, relevant and ambitious organisation.
We are committed to being a teaching and learning theatre – in which we create world class theatre for, with and by audiences and theatre makers of all ages. We provide training for emerging and established theatre makers and arts professionals, for teachers and for young people. We share learning formally and informally. We embed training and research across our company, work and processes.
We recognise the climate emergency and work hard to embed environmental sustainability into our operations, creative work and business practice, making a commitment to continually reduce our carbon footprint.
Keep Your RSC supports our mission to create theatre at its best, unlocking Shakespeare and transforming lives. Thousands of generous audience members, trusts and foundations and partners supported Keep Your RSC in 2020 and, alongside a £19.4 million loan from the Culture Recovery Fund, we are thrilled to be welcoming audiences back. It will take time to recover, to reopen all our theatres, and many years to repay the loan and the support and generosity of our audiences is more important than ever. Please donate at rsc.org.uk/donate