RSC APPOINTS CHARLOTTE SUTTON AS HEAD OF CASTING
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The Royal Shakespeare Company (RSC) today announces the appointment of Charlotte Sutton as the company’s new Head of Casting. Sutton is currently an Artistic Associate of the Young Vic; and was the Casting Associate at Chichester Festival Theatre from 2017 to 2023. She joins the company effective as of November this year.
Charlotte Sutton said today, “I am delighted to be joining the RSC at such a pivotal moment for the organisation. Growing up in nearby Leicestershire, we made regular school trips to see plays in Stratford-upon-Avon, so the RSC formed a key part of my formative theatregoing experience, and has remained so. In tandem with the team at the company, we will strive for casting that is bold, ambitious, inclusive, and exciting. I look forward to working with Daniel and Tamara to build on the RSC’s long tradition of excellence in this thrilling new chapter.”
Artistic Directors of the RSC Tamara Harvey and Daniel Evans commented, “We’re over the moon that Charlotte will be the RSC’s new Head of Casting. Her vast experience – both in the commercial and subsidised sectors – spans Shakespeare, the classics, musicals and new plays. She has worked with so many of our most innovative directors, has a keen eye for emerging talent, and cares deeply about inclusion and fostering exceptional artists. We can’t wait to get started.”
Charlotte Sutton CDG has worked in theatre casting since 2010. She is an Artistic Associate of the Young Vic, where her credits include Best of Enemies (also West End), Fairview, Death of a Salesman (also West End), The Convert, trade and Dutchman. She was the Casting Associate at Chichester Festival Theatre from 2017-2023, where her credits included Assassins, Local Hero, The Famous Five, Sing Yer Heart Out for the Lads, Our Generation (also National Theatre), Doubt, Oklahoma!, The Deep Blue Sea, The Watsons, Cock, Flowers for Mrs Harris, The Meeting, random/generations, Quiz, Fiddler on the Roof, Caroline, or Change, Strife and Mack and Mabel. Her other theatre credits include Guys and Dolls (Bridge Theatre), The Secret Life of Bees (Almeida Theatre), South Pacific (Sadler’s Wells, Chichester Festival Theatre and UK tour), Cock (Ambassadors Theatre), Company (Gielgud Theatre), Long Day’s Journey Into Night (Wyndham’s Theatre, BAM and LA), Nell Gwynn (ETT tour & Shakespeare’s Globe); My Brilliant Friend (Rose Theatre Kingston and National Theatre), The Pitchfork Disney, Killer (Shoreditch Town Hall). Much Ado About Nothing (Theatr Clwyd), Annie Get Your Gun, Lady Chatterley’s Lover, Waiting for Godot, Queen Coal (Sheffield Theatres), Henry V, Twelfth Night Re-Imagined (Regent’s Park Open Air Theatre), and wonder.land, The Light Princess, Emil and the Detectives, and The Elephantom (National Theatre).
For further information contact Kate Evans, Head of Media Relations on 07920 244 434, email@example.com
ROYAL SHAKESPEARE COMPANY (RSC)
The Royal Shakespeare Company creates exceptional theatre in Stratford-upon-Avon, London and around the world, performing plays by Shakespeare and his contemporaries, as well as commissioning a wide range of original work from contemporary writers. Our purpose is to ensure that Shakespeare – and theatre as a whole – is for everyone, and we do that by unlocking the power of his plays and live performance, and with our learning and education work throughout the UK and across the world.
The RSC is supported using public funding by Arts Council England
The work of the RSC is supported by the Culture Recovery Fund
The RSC is generously supported by RSC America
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The RSC Acting Companies are generously supported by The Gatsby Charitable Foundation
Arts Council England is the national development body for arts and culture across England, working to enrich people’s lives. We support a range of activities across the arts, museums and libraries – from theatre to visual art, reading to dance, music to literature, and crafts to collections. Great art and culture inspires us, brings us together and teaches us about ourselves and the world around us. In short, it makes life better. Between 2018 and 2022, we will invest £1.45 billion of public money from government and an estimated £860 million from the National Lottery to help create these experiences for as many people as possible across the country.www.artscouncil.org.uk