Latest Press Releases

CORONAVIRUS UPDATE

We are following all government guidelines around the COVID-19 pandemic, which includes the temporary cancellation of our performances, events and other activities. Our staffing is significantly reduced at the moment and remaining staff are working from home, so please bear with us if we’re a little slower than usual to reply.

RSC ANNOUNCES 2020 WINTER SEASON

  Download high-res images here

  • The Magician’s Elephant, a new musical adaptation by Nancy Harris and Marc Teitler based on the international, best-selling novel by Kate DiCamillo, directed by Sarah Tipple.

  • The Wars of the Roses, directed by Owen Horsley with Gregory Doran. An epic staging of all three parts of Henry VI across two unforgettable performances telling the enthralling story of the brutal struggle for the English crown.

  • Shakespeare for Everyone. First Encounters with Shakespeare: Twelfth Night, edited and directed by Robin Belfield.

On announcing the RSC’s Winter 2020 season Gregory Doran, RSC Artistic Director, said: “When I became Artistic Director, I wanted to stage every Shakespeare play in the canon once. We are more than two thirds of the way through that journey, which will conclude at the end of 2021. 

“We began with Richard II in 2013, developing the History cycle with the two Henry IVs and Henry V. We played all four shows as one cycle in London and New York, and took the productions to China, the first time the plays had ever been performed there. This journey now continues with The Wars of the Roses, our two-part staging of Shakespeare’s epic history cycle which he wrote as Henry VI Parts 1, 2 and 3. If you want to understand the dangerous world we live in, with its divisive politics, the rise of demagoguery and the threat of despotism, then you need look no further than Shakespeare’s early history plays.

“The beautifully crafted storytelling of Kate DiCamillo’s The Magician’s Elephant and the mischievous comedy of Shakespeare’s Twelfth Night, directed by Robin Belfield ensure that Shakespeare’s spirit of interrogation, invention and creativity is alive and well in the most exciting creative voices of today.”

Royal Shakespeare Theatre

The world stage premiere of The Magician’s Elephant, a new musical adaptation by Nancy Harris (book/lyrics) and Marc Teitler (music/lyrics) of prize-winning children’s author Kate DiCamillo’s novelbuilds on a successful tradition of new work created by the RSC for family audiences at Christmas.

The Magician’s Elephant tells the story of orphan Peter Augustus Duchenne, who lives a frugal life in the lonely town of Baltese. Then one day, a magician conjures an elephant from the sky. The animal’s appearance sets off a chain of events so remarkable, so impossible, that it changes Baltese forever. Peter is catapulted into the quest of his life, overturning everything he ever thought he knew, and discovering that happiness can come from the most unexpected places.

This new adaptation of Kate DiCamillo’s heart-breaking and darkly magical children’s book by Nancy Harris (book/lyrics) and Marc Teitler (music/lyrics) will be directed by Sarah Tipple, Associate Director to Gregory Doran on The Boy in the Dress based on the novel by David Walliams. The production will feature design by Colin Richmond whose previous RSC credits include Wendy and Peter Pan and Vice Versa, with lighting by Oliver Fenwick. The role of Peter will be played by Jack Wolfe, whose theatre credits include Sweeny Todd (Lyric Belfast), Pinocchio (National Theatre) and The Witcher (Netflix). The production will run from 29 October 2020 – 17 January 2021 in the Royal Shakespeare Theatre.

Nancy Harris and Marc Teitler said: ”We were hugely excited by the epic world Kate DiCamillo created in The Magician’s Elephant - its fluid, unexpected leaps, larger-than-life characters and darkly comic, fairy tale quality immediately suggested a highly musical and visual approach to the story-telling. And while we're thrilled at the prospect of creating a mesmerising theatrical experience for RSC audiences, it's the emotional truth and compassion at the heart of the story that really resonates with us and is what makes it an urgent and hopeful one for our time.”

Kate DiCamillo said: “The story of The Magician’s Elephant began, for me, with a vision of a magician on a stage conjuring an elephant — a real elephant — by mistake. I didn’t know what was going to happen, but that image of the two of them together on a stage haunted me. Imagine, then, how thrilled I am to have the brilliant Royal Shakespeare Company make that image that haunted me come to life on a stage. I wrote The Magician’s Elephant during a dark time, personally, and it seemed miraculous to me that the story could lead me through grief and to the other side of it — to love and forgiveness. I hope and believe with all of myself that this production will inspire those same feelings of love, forgiveness (and joy) in audiences.”

Swan Theatre

As the Royal Shakespeare Company continues its journey through the complete canon of Shakespeare’s work, Owen Horsley directs The Wars of the Roses with RSC Artistic Director Gregory Doran, an epic event staging Henry VI Parts 1, 2 and 3 in two performances to tell the vivid and enthralling story of the brutal struggle for the English crown.

The three Henry VI plays will be presented by one company of actors across two performances in a newly configured Swan Theatre from 10 October 2020 – 2 January 2021. The Swan Theatre auditorium will have an exciting new format for the staging of The Wars of the Roses with new grandstand seating and 100 standing arena spaces to give audiences the opportunity to immerse themselves in the action. Seating in Galleries 1 and 2 will remain unchanged. The story will conclude in 2021 with Richard III, further details to be announced.

This epic journey through The Wars of the Roses will see Gregory Doran re-unite with director Owen Horsley, whose most recent productions for the RSC include a new adaptation of David Edgar’s post-war masterpiece Maydays in 2018 and a visually striking adaptation of Oscar Wilde’s Salome in 2017. Owen last worked alongside Gregory between 2013-2015 as Associate Director on the critically acclaimed King and Country cycle featuring Richard II, Henry IV Parts I and II and Henry V.

The Wars of the Roses will be designed by RSC Director of Design Stephen Brimson Lewis. He will be joined by Costume Designer Hannah Clark, whose recent credits for the RSC include Justin Audibert’s 2019 gender-flipped production of William Shakespeare’s The Taming of the Shrew. RSC Associate Artist Paul Englishby returns to compose the music with fights by Rachel Bown-Williams & Ruth Cooper-Brown.

Gregory Doran said: “Every time the RSC mounts these plays they strike powerful chords. This ferociously vivid account of the brutal struggle for the English Crown will without doubt strike different resonances deep in its audiences’ consciousness today. It’s a story of saints and psychopaths, of power and corruption, of then and now.”

Shakespeare for Everyone:

The RSC First Encounters with Shakespeare series returns in September 2020 with a new production of Twelfth Night, directed and edited by Robin Belfield.

For over a decade the RSC has taken First Encounters productions - edited versions of the plays performed using Shakespeare’s original language - on the road into the heart of communities. They have been enjoyed by over 100,000 people to date and are an important part of the RSC’s national engagement work which is rooted in a long-term commitment to different regions around the country. Through deep partnerships with schools and theatres across England, RSC activity provides pathways for young people, teachers, artists and schools to develop their skills and knowledge.

The production will open at local schools followed by performances in the Swan Theatre, before embarking upon a seven-week tour of partner schools and regional theatres across England.

This production will be created in collaboration with the RSC’s Regional Theatre Partners and Associate Schools, enabling young people to experience Shakespeare for the first time, not simply as audience members but as theatre makers. Robin Belfield and the creative team will respond to young people’s ideas, opinions and creativity, from the way the production addresses key themes that strike a chord with young lives, to the way the production is created with a focus on being environmentally responsible.

All performances of Twelfth Night will be chilled performances offering a welcoming, safe environment for everyone to encounter Shakespeare for the first time.

RSC Director of Education, Jacqui O’Hanlon, said: “Our national partnerships with schools and theatres are at the heart of our mission to make Shakespeare’s work with and for everyone. This production of Twelfth Night will take us into communities across the country, inviting them to participate in the making of the play as well as experience the performance itself. We know this approach creates the kinds of memories that last a life-time for children, their families and teachers and, at a time when arts experiences feel in jeopardy, we are looking forward to making this production  with children and teachers who might otherwise not have access to it.”

The Winter’s Tale on tour

Following its opening in Stratford-upon-Avon alongside The Comedy of Errors and Pericles this Summer, The Winter’s Tale will embark on a national tour in January 2021. Confirmed venues include Salford Lowry in January 2021 and then Alhambra Theatre, Bradford, Canterbury Marlowe Theatre and Newcastle-upon-Tyne Theatre Royal.

As part of the RSC’s commitment to make Shakespeare for everyone, this season will see the RSC continue broadcasting every Shakespeare play in the canon to cinemas across the UK with a recorded performance of The Wars of the Roses Parts 1 and 2 scheduled for screening in 2021. Full details of future Live From Stratford-upon-Avon screenings to be confirmed.

Winter Revel

On 30 and 31 October, the RSC will open its doors to intrepid revellers for a haunting all-night party inspired by the ghosts and gore of Shakespeare’s Macbeth. Something Wicked: A Halloween Revel will see the Royal Shakespeare Company buildings transform with a bewitching programme of live pop-up performances, midnight feasting, immersive storytelling and live music culminating in an all-night sleepover at The Other Place.

Something Wicked: A Halloween Revel is a unique way for audiences to experience the RSC. Full programme details coming soon.

 

Listings Information

ROYAL SHAKESPEARE THEATRE

Kate DiCamillo’s

The Magician’s Elephant
A new musical by Nancy Harris and Marc Teitler
Book and Lyrics by Nancy Harris
Music and Lyrics by Marc Teitler

29 October 2020 – 17 January 2021
Press performance: Tuesday 10 November, 7pm

“Magic is always impossible.  That’s what makes it magic.”

Baltese is a town where nothing extraordinary ever happens. Recovering from a recent war, it is a lonely place, where young Peter lives a frugal life. Then one day, a magician conjures an elephant from the sky, whose appearance sets off a chain of events so remarkable, so impossible, that it changes Baltese forever. Peter is catapulted into the quest of his life, overturning everything he ever thought he knew, and discovering that happiness can come from the most unexpected places.

This brand-new musical for all the family reminds us that even the impossible can be possible when we open our eyes and hearts to those around us

Director Sarah Tipple
Designer Colin Richmond
Lighting Oliver Fenwick

 

Something Wicked: A Halloween Revel

30 & 31 October

Will you survive until the witching hour? A haunting, all-night party for adults only, inspired by the ghosts and gore of Macbeth.

The event will start with a ‘pre-party’ in The Other Place with costume making, blood guts and gore, cocktail making, face painting, glitzy dressing room exhibitions of archive materials, music and a screening of the 1976 McKellen and Dench Macbeth in the The Other Place studio.

At 11pm guests will be invited to process in their bloody finery down to the Royal Shakespeare Theatre where the party really gets started – a midnight feast: Banquo’s Banquet, immersive performances, an escape room, a witches rave cave, pepper’s ghost hauntings and ghost stories in the tower.

Those brave enough to sleepover are invited to stay on into the small hours for an exclusive all-night experience featuring a haunted backstage tour, storytelling plus plenty of creepy happenings throughout the night.

 

SWAN THEATRE

The Wars of the Roses Part 1 and Part 2
Henry VI Parts 1, 2 and 3 told in two parts
William Shakespeare

10 October 2020 – 2 January 2021

Press performances: Thursday 29 October, 1pm (Part 1) and 7pm (Part 2)

The glorious Henry V is dead.

The new King is weak, manipulated by those on his own side and threatened with civil war by those in opposition. As the factions fight for power, England descends from decency into barbarism as all around the crown seek to seize it for their personal gain.

Filled with passion, politics and revenge, The Wars of the Roses is the ultimate saga. Experience the thrill of rebellion, the brutality of battle, the tension of intrigue and ambition without boundaries, as Shakespeare hurls you headlong through one of the most turbulent periods of English history.

The Wars of the Roses is supported by RSC Production Circle Members The Hitz Foundation and Marcia Whitaker.

Director Owen Horsley with Gregory Doran
Designer Stephen Brimson Lewis
Costume Designer Hannah Clark
Music Paul Englishby
Fights Rachel Bown-Williams and Ruth Cooper-Brown

 

First Encounters with Shakespeare: Twelfth Night
William Shakespeare
Edited by Robin Belfield

24-26 September 2020

Shipwrecked and separated from her twin brother, Viola washes up on a strange shore and into an even stranger situation.

Disguising herself as a man called Cesario, Viola finds work with Duke Orsino, only to fall head over heels in love with him. But Orsino is in love with Olivia, who is grieving for her brother and refusing all romance. Until, that is, she sees Cesario for the first time.

Add one ambitious butler and some practical joking servants and you have a hilarious story of heartbreak, hoaxes and hidden identities.

Our First Encounters productions are created especially to give 7-13 year olds a fantastic first experience of Shakespeare whilst also being brilliant introductions for anyone new to his work. Using edited versions of the original language, they bring his texts to life on stage in just 90 minutes.

Director Robin Belfield

 

Ends

For further information on the RSC Winter 2020 season, please contact:

Kate Evans kate.evans@rsc.org.uk 01789 412622 or 07920 244434

For review tickets, please contact Dean Asker dean.asker@rsc.org.uk

For press images, please register free of charge at https://images.rsc.org.uk/

BOOKING INFORMATION: 01789 331111 or rsc.org.uk

Major Supporters, Production Circle, Artists Circle and Gold Patrons: opens Monday 17 February

Silver Patrons: opens Tuesday 19 February

Bronze Patrons: opens Thursday 20 February

Members’ Priority Booking: opens Monday 24 February

Subscribers’ Priority Booking: opens Monday 9 March

Public Booking: opens Monday 16 March                            

 

WITH THANKS TO OUR SUPPORTERS

Arts Council England is the national development body for arts and culture across England, working to enrich people’s lives. We support a range of activities across the arts, museums and libraries – from theatre to visual art, reading to dance, music to literature, and crafts to collections. Great art and culture inspires us, brings us together and teaches us about ourselves and the world around us. In short, it makes life better. Between 2018 and 2022, we will invest £1.45 billion of public money from government and an estimated £860 million from the National Lottery to help create these experiences for as many people as possible across the country. www.artscouncil.org.uk

The RSC Acting Companies are generously supported by The Gatsby Charitable Foundation and The Kovner Foundation.

The work of the RSC Literary Department is generously supported by The Drue and H.J. Heinz II Charitable Trust

The Wars of the Roses is supported by RSC Production Circle Members The Hitz Foundation and Marcia Whitaker

First Encounters is kindly supported by TAK Advisory Limited

RSC Next Generation is generously supported by The Andrew Lloyd Webber Foundation, GRoW @ Annenberg and The Harold Hyam Wingate Foundation.

The Winter's Tale, The Comedy of Errors and Pericles are supported by RSC Season Supporter Charles Holloway

The Winter’s Tale is supported by RSC Production Circle members Mark Thompson and Jane Blumberg-Thompson

The Associate Schools programme is supported by Paul Hamlyn Foundation, The Allan and Nesta Ferguson Charitable Trust, The Schroder Foundation, The Ernest Cook Trust, Teale Charitable Trust, The Grimmitt Trust, and is powered by Samsung as part of its commitment to inspire learning through technology.

 

NOTES TO EDITORS

The Royal Shakespeare Company creates theatre at its best, made in Stratford-upon-Avon and shared around the world.  We produce an inspirational artistic programme each year, setting Shakespeare in context, alongside the work of his contemporaries and today’s writers.  

We have trained generations of the very best theatre makers and we continue to nurture the talent of the future. We encourage everyone to enjoy a lifelong relationship with Shakespeare and live theatre.  We reach 530,000 children and young people annually through our education work, transforming their experiences in the classroom, in performance and online.

Everyone at the RSC - from actors to armourers, musicians to technicians - plays a part in creating the world you see on stage.  All our productions begin life at our Stratford workshops and theatres, and we bring them to the widest possible audience through our touring, residencies, live broadcasts and online activity. So wherever you experience the RSC, you experience work made in Shakespeare’s home town.

We recognise the climate emergency and work hard to embed environmental sustainability into our operations, creative work and business practice and have made a commitment to reduce continually our Carbon Footprint.  We have measures already in place from green electricity to replace energy consuming equipment with high efficiency, using low carbon equipment, and delivering programmes to raise environmental awareness across the RSC. We acknowledge that sharing our work with audiences across the world will involve travel and that we need to mitigate the impact of that on our carbon footprint.

Registered charity no. 212481 rsc.org.uk

You might also like