Shakespeare’s great romantic comedies, Love’s Labour’s Lost and Much Ado About Nothing were first paired to great acclaim at the Royal Shakespeare Theatre in 2014. Following their run at Chichester Festival Theatre, this innovative doubling transferred to the Theatre Royal Haymarket for a limited West End season.
Matching events, characters and themes suggest that these razor-sharp romances belong together. In Love’s Labour’s Lost two sparring lovers, Berowne and Rosaline, are separated; at the start of Much Ado About Nothing (or Love’s Labour’s Won), two sparring lovers meet again after a long absence and continue to quarrel, until they are tricked into acknowledging their love.
Directed by Christopher Luscombe, with a dazzling design by Simon Higlett and glorious music by Nigel Hess, the productions were set either side of the First World War. Love’s Labour’s Lost conjures up the carefree elegance of a pre-war Edwardian summer; in post-war Much Ado About Nothing the world has changed forever, the roaring 20s just around the corner. A 22-strong ensemble performed in both productions, with Lisa Dillon and Edward Bennett leading the company in both plays.