Erica Whyman, Deputy Artistic Director

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Erica became Deputy Artistic Director of the Royal Shakespeare Company in January 2013. She works closely with Artistic Director, Gregory Doran, on all aspects of artistic strategy, taking a particular lead on the development of new work and the planned re-opening of the RSC's studio theatre and laboratory space, The Other Place.

This year Erica will direct two plays for 'Midsummer Mischief', a festival of new work we are producing in a purpose-built temporary studio on the current Courtyard Theatre stage. For her first production for the company in the Royal Shakespeare Theatre she will direct a play inspired by real events of 100 years ago, Phil Porter's The Christmas Truce, an uplifting new play for families that celebrates a remarkable Christmas story.

Erica was Chief Executive of Northern Stage in Newcastle Upon Tyne from 2005 to 2012. She oversaw the opening of a completely redesigned new building, introduced a notably collaborative organisational culture and attracted local and national acclaim for the company's repertoire of work. In 2012 she won the TMA Award for Theatre Manager of the Year.

Under her stewardship Northern Stage became known for ambitious international partnerships (Northern Stage co-produced Lipsynch by Robert Lepage, which opened in Newcastle in 2007), the development of experimental new work especially by young theatre makers and for bold interpretations of modern classics (most recently Close The Coalhouse Door, directed by Samuel West in a new version by Lee Hall)

Erica is a theatre director with many years' experience all over the UK.

For Northern Stage she directed Son of Man; Ruby Moon; Our Friends in the North; A Christmas Carol; A Doll's House; Look Back in Anger; Hansel and Gretel, Oh What a Lovely War (nominated for two TMA awards), The Wind in the Willows, Who's Afraid of Virginia Woolf (in co-production with Sheffield Theatres for which she was nominated for best director at the 2011 TMA awards), The Glass Slipper and the UK premiere of Oh, The Humanity (which ran in Edinburgh and then Soho Theatre in August/September 2012).

Other work includes The Birthday Party (Sheffield Crucible); The Shadow of a Boy (National Theatre); The Flu Season, Marieluise, Witness and Les Justes (Gate Theatre); The Winter's Tale and The Glass Slipper (Southwark Playhouse).

Erica has a first class honours degree in French and Philosophy from Oxford. She trained in the theatre with Philippe Gaulier in Paris and then at Bristol Old Vic Theatre School. She was the recipient of the John S Cohen Bursary for directors at the National Theatre Studio and ETT, and later Associate Producer at the Tricycle Theatre and Associate Director at ETT.

She was Artistic Director of Southwark Playhouse (1998-2000) and then Artistic Director of The Gate Theatre, Notting Hill (2000-2004). At the Gate she ensured that the theatre paid its actors for the first time in 25 years, and inaugurated the UK's first award for translation.

She was one of the first fellows of the Clore Leadership Programme and speaks regularly for Clore and other programmes especially on artists in leadership roles. In the 2013 New Years Honours List she awarded an OBE for services to Theatre in the UK.

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