Sian Thomas as Lady Macbeth
what's in the cauldron
the prompt book
the interpretation game
the casting game
staging issues
contemporary relevance
stage management

about tragedy
about the play
the current production
teachers
more about Shakespeare
what is in the cauldron
notes from rehearsals knock cheat sheet show reports show reports

Notes from Rehearsal

It is vital that decisions made by actors, designers and directors during rehearsals are communicated to the relevant departments and staff in the rest of the organisation. This job falls to the Stage Management team. The Deputy Stage Manager has specific responsibility for information coming out of rehearsals. He or she sits in the rehearsal room, making notes of what is required for the production from each department and, very importantly, why it is needed.

notes from Macbeth
Here are some notes from a production of Macbeth directed by Adrian Noble [RSC, 1993] which were sent to 3 departments: Props, Wigs and Make-up and Wardrobe.

props
A new dagger prop is needed. The Witches will score Macbeth's chest

with a dagger which ideally should produce blood on his chest. This

needs to be a double of his other dagger.

wigs
Mr. Ravenscroft (Banquo) would like a blood bag to release in his

mouth during the banquet scene. He should be very bloody in

general, which might mean having a source of blood on set in the

previous scene.

Blood bags possible for when the Macduff children are murdered.

One is stabbed in the stomach and one has his throat slit.

wardrobe
Mr. Jacobi's shirt for the Apparitions scene [Act 4 scene 1] must be

able to open down the front. The Witches will score his chest with a

knife (see PROP note above).

The bottom of Mrs Macduff's frock may need to be reinforced. It

comes in for some welly when she gets murdered.

The Macduff sons will get bloodied when they get murdered.

The maintenance wardrobe department is responsible for cleaning costumes during the run, so it is particularly important for them to know which costumes will get blood on them on stage.

Running props
Here are some of the props needed for a production of Macbeth [RSC, 1996]:

Ribena (low sugar or sugar-free)

We may need burnt sugar for 'blood mix'

Porridge - very important not to be made with milk as one of the

kids is allergic to it

For banquet scene - approximately 16 falafel and 2 loaves of Scofa

Bread (large round flat soda bread) per show

Witches' goodies - at present we are using dried fruit (raisins,

apricots, bananas) and liquorice bootlaces from Woolworths

Knocking Cheat Sheet
During a performance, the Assistant Stage Manager ensures the smooth running of the show from the deck alongside the Stage Manager. The ASM is responsible for checking that actors have the props they need and makes sure actors and staff are where they should be, ready for their cues. In Act 2 scenes 2 & 3 of Macbeth, the stage directions ask for the sound of knocking. The following cheat sheet was used by the Assistant Stage Manager [RSC, 1996], who was behind the scenes, knocking on a 1940s dining table with a couple of hammers when the cue light turned green.

Try this:
See if you can perform the scene using this cheat sheet, getting the right kinds of knocks in the right places!

1st green cue light
 
4 x loud and rapid knocks
2nd green cue light
 
3 x knocks with attitude
3rd green cue light
 
4 x loud and rapid knocks
4th green cue light
 
3 x very loud
5th green cue light
 
8x/9x - on Porter's entrance
6th green cue light
 
Stop! Porter puts his jacket on
7th green cue light
 
knock knock - on the word 'wave'
8th green cue light
 
knock knock - on the word 'key'
9th green cue light
 
knock knock - on the word 'napkins'
10th green cue light
 
knock knock - on the word 'equivocator'
No more cue lights. Respond to Porter's calls.
Next knock knock comes after "tailor, hose, goose"
Last long knock is on "bonfire" until you hear the second "anon".

Try creating your own knocking cheat sheet. Discuss how the sound of knocking can create tension in the scene. How frequent, rapid and loud would you like the knocking to be? Would you like your knocking to have "attitude"?!

A list of cues
The following list of cues describes an assistant stage manager's job during the first half of one production of Macbeth [RSC 1996]. Note the precise timings given for each action.
Q1.
 
00:00/53
 
Check the actors are standing by for beginners. Take spray bottle to wet them when they come off stage.
Q1A
 
00:30/53
 
Shine torch for witches to get off stage Down Stage Right.
Q2
 
09:00/59
 
Assistant J. Whiteside [Witch 1] down Stage Right Proscenium steps.
Q3
 
35:00/74
 
Ring tubular bell once with hammer on green light cue.
Q4
 
38:00/77
 
Knocking at Stage Left Assembly: see attached knocking cheat sheet. Go directly to prompt desk area and cue the props staff to light the cigarette (as soon as you get there) and then cue the porter for his entrance. Collect Mr Quast's sword [Banquo] from Opposite Prompt Side wings and bring it to Prompt Side.
Q5
 
1:08:00
 
Go to sub stage to assist Mr. Quast [Banquo] down hole under forestage ramp.
At interval check that props staff:

Strike all props except the 3 Witches' swords on forestage

Mop up all liquid and blood

Set blood sponge on back of onstage bench

Set two wooden daggers on the Prompt Side props table

Wash glasses and bottles

Show Reports
After every performance, the stage manager writes a show report, giving details of any incidents that have occurred. Problems can be wide ranging:

Actors
Loosing their voices

Being injured on stage or even falling off the stage

Forgetting to wear moustaches!

Understudies going on if another actor has to miss a show through

illness

Scenery
machinery not starting

scenery getting jammed

revolving sets moving too fast

missed cues e.g. for flying in scenery

scene changes being too noisy

Wigs and Make-up
blood bags bursting too soon in fight scenes

Audiences
arriving late and holding up the curtain

noisy audiences, coughing or talking

whistling hearing aids

taking flash photographs

taking too long to return to the auditorium after the interval. At one

performance, fights broke out between two schools at a matinee and

the second half was 15 minutes late going up

Here are some extracts from show reports from a production of Macbeth at the RSC in 1996:

In scene 2.2., Mr Allam stopped and asked the audience to try to

stop coughing. He said this would help him a lot. Then there was a

round of applause.

Mainly schools audience. Polo mints and sugar cubes thrown on

stage.

Mr Hesker hit Miss Brennan's head against the wall as he carried her

off after she 'fainted'. There was a big laugh from the audience, so

big that the company had to stop acting briefly till they settled. Miss

Brennan was not hurt.

Mr Quast called an engineer down as he was so disgusted with the

smell of fish and chips in the Prompt Side wing. The engineer

thought it was fried chicken. In Part Two, other cast members

suggested it was garlic bread, toast, cabbage or pizza, but I think we

should be looking for someone cooking Chinese stir fry, heavy on

the soy sauce.

A woman in the audience screamed "Oh my God!" when the Macduff

child was killed.

One show report from 1993 read, "Miss Campbell hit on the arm by flying bread board in banquet scene."