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Exploring Shakespeare
Hamlet, Macbeth and A Midsummer Night's Dream
For Teachers
Home | Hamlet: Staging choices | Set Design and Props

Staging choices

Costume
Set Design and Props
Doubling Roles
Staging the Ghost

Principles of set design

Who's this? Tom Piper designed the set.

Context: The play was to have a Jacobean feel; a world of spy-masters and a feeling of being on a knife edge.
The stage has a wooden floor so that Hamlet can attack it and damage it just as he does the wooden panelling that forms the back of the set. The effect was like a panelled room in a medieval castle which has secret doors, priest holes or openings through which people can eavesdrop and spy. When Hamlet stabs Polonius, he does so through a panel in the wall; the panel is replaced after each performance as it needs to be thin enough for the dagger to pass through and shatter the wood. The overall feel of the set is one of enclosure; of a solid intense world which can be perforated and deconstructed

Did you know? As a boy Tom Piper was mesmerised by both models seen on visits to museums and also Victorian mechanical artifacts. At university he moved from puppet theatres to the construction of full scale theatre sets. With no formal training he worked straight from sketches to the full-scale build. As a postgraduate at design school he began to appreciate the value of model making and the way it allows you the space to experiment and make mistakes before your ideas become too concrete and public.

Set Design and Props

Principles of set design
Tom Piper's designs
Using props to advance the action
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