Julius Caesar - Act 3 Scene 2

play

Watch as Antony (Ariyon Bakare) appeals to the crowd's emotions in order to end their support for the conspirators.

thumbnail

Julius Caesar - Act 3 Scene 2

play

Watch as Brutus (John Light) explains why conspirators murdered Caesar.

thumbnail

Teachers' notes [PDF 400K]

download

Activities for teaching Julius Caesar, based on RSC rehearsal room practice. (You need PDF reader software.)

thumbnail

  • How did you begin your relationship with directors Gregory Doran and Sean Holmes?
  • Did you research Caesar and Antony together or separately?
  • How did you research for Antony inform your designs for Caesar?
  • You are redesigning these shows for Michigan and London. How does this inform your designs?
  • Did you have an image which crystallised the plays for you?
  • How do you generate ideas? What process do you go through?
  • How long does it take you to design a play? Which aspects took the longest?
  • How did you work with the lighting designers?
  • You worked with Kandis Cook who designed the costumes. Who else did you collaborate with?
  • What input from a director is useful? And what's not useful?
  • In what format do you create your designs? How do you present them to the director and company?
  • Sometimes the setting of Shakespeare's plays is modernised. Did you consider this for Caesar or Antony?
  • How do you decide where to play a production on a scale from naturalism to abstraction?
  • Have you designed these plays before? And how did you feel about tackling them?
  • Why do you use microphones and a raised platform in Caesar Act 3 Scene 2?
  • What was the most difficult thing about working on Caesar and Antony simultaneously?

How did you begin your relationship with directors Gregory Doran and Sean Holmes?

Act and Scene
Credit
Date
2006-07-12
Copyright
© RSC 2006

Did you research Caesar and Antony together or separately?

Act and Scene
Credit
Date
2006-07-12
Copyright
© RSC 2006

How did you research for Antony inform your designs for Caesar?

Act and Scene
Credit
Date
2006-07-12
Copyright
© RSC 2006

You are redesigning these shows for Michigan and London. How does this inform your designs?

Act and Scene
Credit
Date
2006-07-12
Copyright
© RSC 2006

Did you have an image which crystallised the plays for you?

Act and Scene
Credit
Date
2006-07-12
Copyright
© RSC 2006

How do you generate ideas? What process do you go through?

Act and Scene
Credit
Date
2006-07-12
Copyright
© RSC 2006

How long does it take you to design a play? Which aspects took the longest?

Act and Scene
Credit
Date
2006-07-12
Copyright
© RSC 2006

How did you work with the lighting designers?

Act and Scene
Credit
Date
2006-07-12
Copyright
© RSC 2006

You worked with Kandis Cook who designed the costumes. Who else did you collaborate with?

Act and Scene
Credit
Date
2006-07-12
Copyright
© RSC 2006

What input from a director is useful? And what's not useful?

Act and Scene
Credit
Date
2006-07-12
Copyright
© RSC 2006

How do you decide where to play a production on a scale from naturalism to abstraction?

Act and Scene
Credit
Date
2006-07-12
Copyright
© RSC 2006

Have you designed these plays before? And how did you feel about tackling them?

Act and Scene
Credit
Date
2006-07-12
Copyright
© RSC 2006

Why do you use microphones and a raised platform in Caesar Act 3 Scene 2?

Act and Scene
Credit
Date
2006-07-12
Copyright
© RSC 2006

What was the most difficult thing about working on Caesar and Antony simultaneously?

Act and Scene
Credit
Date
2006-07-12
Copyright
© RSC 2006

My Playlist close [x]