The guiding idea... seems to be to stress the theatrical, or meta-theatrical, aspects of the play… When Prospero presents his masque he conjures it out of a pop-up book, and it takes place in a giant version of a toy theatre.

Act and Scene
Credit
John Gross, Sunday Telegraph
Date
1993
Copyright

A triumph of spectacle... scenery and costumes of uncommon splendour... low pinnacles of rock rising abruptly from a level mist-swept plain... the masque, with ballet movements and Juno ascending on a cloud, eclipses all that has gone before it.

Act and Scene
Credit
Drama critic, The Scotsman
Date
1951
Copyright

The storm is all massive undulations of aquamarine material; the island is a pebbled circle surrounded by a calm sea and sky… the cloud-decked cyclorama; the huge horned shell from which Prospero prises black Caliban like a hermit crab...

Act and Scene
Credit
Alastair Macaulay, Financial Times
Date
1998
Copyright

The great Stratford stage and its equipment are used to their uttermost capacity; caves change their shape and size before our very eyes, the trap door sucks down Prospero’s victims… His shipwreck is a matter of swinging ropes and swaying lanterns...

Act and Scene
Credit
WT, Nottingham Guardian
Date
1957
Copyright

[a] wracked ghost-ship, made up of tattered sails and leaning top-masts...

Act and Scene
Credit
Michael Billington, Guardian
Date
1982
Copyright

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