Rupert Goold production 2006

Costume designer Nicky Gillibrand's sketch showing the mariners wearing orange oil-skins.

Image by Nicky Gillibrand © RSC

Nicky Gillibrand's sketch showing the costume design for Miranda.

Image by Nicky Gillibrand © RSC

Nicky Gillibrand's sketch showing the costume design for the goddesses.

Image by Nicky Gillibrand © RSC

Nicky Gillibrand's sketch showing costume designs for Prospero (left) and a harpy.

Image by Nicky Gillibrand © RSC

Nicky Gillibrand's sketch showing a jigsaw tattoo covering Prospero's head and chest. In the finished production, Prospero has a simpler tattooed pattern.

Image by Nicky Gillibrand © RSC

Nicky Gillibrand's sketch showing Prospero's magic coat from the back and front.

Image by Nicky Gillibrand © RSC

Nicky Gillibrand's sketch showing costume ideas for the Lords.

Image by Nicky Gillibrand © RSC

One of Nicky Gillibrand's initial sketches for Ariel.

Image by Nicky Gillibrand © RSC

Costume designer Nicky Gillibrand collected lots of clippings of people who live in cold climates, tattoos, carvings and fashions to inform her designs.

Photograph by Suzanne Worthington © RSC

Giles Cadle's model box - the flown drop showing a radio at the start of the production.

Photograph © RSC

Giles Cadle's model box - the island with Caliban's boat.

Photograph © RSC

Giles Cadle's model box - the island with a boat, for a Lords scene.

Photograph © RSC

Giles Cadle's model box - Prospero's cell.

Photograph © RSC

Giles Cadle's model box - Prospero's cell at the end of the production.

Photograph © RSC