• Set design
  • Set design
  • Set design
  • Set design
  • Set design

Set design

The actors onstage are mirrored throughout by black-and-white moving photographs of themselves on the screen behind, as if watched by a huge anti-theft monitor in a supermarket.

Act and Scene
Credit
John Barber, Daily Telegraph
Date
1983
Copyright

Set design

The auditorium becomes a bare space…The audience, sitting or standing, moves around and follows the action. The daring tactic is to make Rome's civil war as close and shocking as the latest TV pictures from Bosnia.

Act and Scene
Credit
Nicholas de Jongh, Evening Standard
Date
1993
Copyright

Set design

…pomp and ceremony, with thunderous off-stage noises and stage effects that would do credit to a Nuremberg rally. Banners suddenly unfurl, red carpets roll from nowhere, and the black-leathered Romans recall Hitler's SS.

Act and Scene
Credit
John Barber, Daily Telegraph
Date
1972
Copyright

Set design

[The set] is Spartan, grey and totalitarian. An illuminated motto…dominates the stage in Orwellian fashion.

Act and Scene
Credit
Dominic Cavendish, Daily Telegraph
Date
2001
Copyright

Set design

Farrah's set consists of three monumental brick walls... with three spreading bloodstains on the back wall.

Act and Scene
Credit
Irving Wardle, The Times
Date
1987
Copyright

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