December 20, 2011
In rehearsal I like to wear something that is close to what I will be wearing 'on the night'. The clothes, especially the shoes, affect the way one stands, moves and holds oneself - and, to a significant degree, how one feels about oneself.
by Nick Day
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December 20, 2011
This blog will be a bit like a journal of the production and the processes and collecting of bits and pieces. We are essentially devising a new piece of movement based theatre for The Swan here in Stratford-upon-Avon.
by Struan Leslie
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December 19, 2011
On my first day at the RSC, I suppressed the over-friendly, over-smiley American that lives somewhere deep down inside me, and tried to act as I imagine any other London-based actor would.
by Ankur Bahl
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December 19, 2011
The Ferryhouse is decorated with fifteen pounds worth of sparkly goods from Poundland and the smell of mulled wine floats out of the Dirty Duck as you walk past...
by Laura Darrall
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December 15, 2011
The opening scene of Comedy. I have 129 lines of expository back story to deliver in huge chunks of blank verse.
by Nick Day
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December 14, 2011
I won't be able to keep this pace up, but while I'm sitting in the severely constipated Jubilee line today waiting for the train to move I thought I'd bring you a bit more up to date with the process.
by Nick Day
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December 13, 2011
Today we had our company charabanc trip to Stratford. For some of us it was a first visit, and some of the company who have worked at the RSC before had not seen the newly transformed theatre.
by Nick Day
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December 12, 2011
Ending a job, without knowing what's next, is crap. People say this uncertainty is great because it allows you to re-evaluate your priorities, re-fresh your batteries, and re-(insert verb) your (insert noun). They're lying. Truth: nobody likes being out of work.
by Ankur Bahl
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December 12, 2011
An invitation to lunch at the British Embassy, and the green zone - home to rich politicians, diplomats and swanky hotels.
by Deborah Shaw
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December 12, 2011
I'm having the best time doing the show. The audience make every performance special, I don't think they realise how much of an impact their faces have on me.
by Iris Roberts
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