Christopher Shutt is the sound designer for Noughts & Crosses.
RSC:
Much Ado About Nothing, King John.
Trained:
Bristol Old Vic Theatre School.
Other theatre includes:
For the National Theatre: War Horse, Happy Days, The Seagull, Chatroom/Citizenship, Measure for Measure, Coram Boy, A Dream Play, Mourning Becomes Elektra, Play Without Words, The Power Book, Humble Boy, Hamlet, Albert Speer, Not About Nightingales, Machinal. For Complicité: A Disappearing Number, The Elephant Vanishes (Japan/London/New York/Paris), A Minute Too Late, Measure for Measure (National Theatre/European tour), Strange Poetry (with LA Philharmonic), Mnemonic (London/New York/world tour), The Noise of Time (New York/London), The Street of Crocodiles, The Three Lives of Lucie Cabrol, The Caucasian Chalk Circle. West End etc.: All About My Mother (Old Vic); The Bacchae (National Theatre of Scotland); Phaedre, Hecuba (Donmar); Julius Caesar (Barbican); The Earthly Paradise (Almeida); Humble Boy (Gielgud). Off Broadway: The Resistible Rise of Arturo Ui (with Al Pacino).
